通过采用Fostex革命性创新的A.S.P.+（高级信号处理）技术。DE-10是一个真正的立体声双通道处理器，并采用24bit内部处理，20bit模数转换和24bit数模转换。它集经典的混响处理、环境处理、仿真放大器、话筒仿真功能、金属板、和声、面板、延迟、法兰和音调转换等各种效果于一身。至于完全独立的双路效果器是指DE-10能够在两种模式下工作：
双路模式：能够同时处理两路单声道信号，并各自以立体声输出。
单路模式：处理一路立体声输入，并以一路立体声输出。
除了具有强大的吉他和贝司放大器模仿效果、适用于从小型组合到大型乐队的跳线组合外，还有能够模拟多种流行通用话筒效果的话筒效果模仿功能。这样的话，你将无需为了适应不同的歌手和不同风格的音乐而购买各种不同类型的话筒，你只需在DE-10上即时选择你所需要的话筒类型，就马上开始你的工作了。
通过前面板的控制旋钮（每个处理器都有独立的控制旋钮），可以对每个效果器的精细参数进行快速操作调整。面板上有一个话筒/电吉他输入，配有微调和手动直通开关。其中直通开关也可以用脚踏板进行控制。
结合了在原来A.S.P.技术中最早出现的优异的环境效果技术、各种声学原理以及在开发喇叭变频器中不断积累的丰富经验，Fostex 进一步开发了一种新的模仿算法引擎，它可以实现极其真实的话筒和放大器模仿效果
功能特性：
·完全独立的双路多重效果处理器
·内部采用24bit数据处理
·极具真实性的话筒特性模仿功能：能够高度仿真11种流行类型的话筒效果
·令人惊谅的话筒放大器特性模仿功能：能够模仿各种流行的电吉他和低音放大器
·适用于录制鼓声和歌唱声的效果器
·具有双路工作（二个1进2出效果器）或单路工作（一个2进2出效果器）两种模式
·电吉他或话筒输入具有电平调整功能
·通过前面板旋扭可方便对各效果进行编辑
·可通过脚踏板或前面板按钮控制直通开/关
·20比特模数转换，24比特数模转换
规格一览表：
输入 x 3
线性输入 x 2
· 接口：6mm 耳机插口型接口/非平衡
· 输入阻抗： 20kW或更大
·输入电平： -10dBV
麦克风/吉他输入 x 1
· 接口： 6mm 耳机插口型接口/非平衡
· 输入阻抗：500kW或更大
· 输入电平： -55dBV ~ -15dBV (可控)
效果预设一览表：
DUAL模式效果：
·L.HALL(大厅)
L.HALL1(Natural Large Hall)
L.HALL2(Lo-Freq Large Hall)
L.HALL3(Vivid Large Hall)
L.HALL4(Hard-Wall Large Hall)
L.HALL5(Soft-Wall Large Hall)
L.HALL6(Long Pre-Delay Large Hall)
L.HALL7(Cave)
L.HALL8(Stadium)
L.HALL9(Vivid Stadium)
L.HALL10(Auditorium)
L.HALL11(Big Cave)
·S.HALL（小厅）
S. HALL 1 (Natural Small Hall)
S. HALL 2 (Lo-Freq Small Hall)
S. HALL 3 (Vivid Small Hall)
S. HALL 4 (Hard-Wall Small Hall)
S. HALL 5 (Soft-Wall Small Hall)
S. HALL 6 (Long Pre-Delay Small Hall)
S. HALL 7 (Narrow Small Hall)
S. HALL 8 (Dead Hall)
S. HALL 9 (Small Stadium)
S. HALL 10 (Out Door Stage)
S. HALL 11 (Flat Reverb)
·ROOM（房间）
ROOM 1 (Natural Room)
ROOM 2 (Garage)
ROOM 3 (Dead Room)
ROOM 4 (Live Room)
ROOM 5 (Vivid Room)
ROOM 6 (Off Mic)
ROOM 7 (Hard Wall Drum Booth)
ROOM 8 (Wood Wall Drum Booth)
ROOM 9 (Live House)
ROOM 10 (Back-Stage)
ROOM 11 (Hi-Freq Room)
·PLATE（板式效果）
PLATE 1 (Normal Plate)
PLATE 2 (Old Plate)
PLATE 3 (Vivid Plate)
PLATE 4 (Lo-Freq Plate)
PLATE 5 (Sharp Plate)
PLATE 6 (Mono Plate)
PLATE 7 (Dark Plate)
PLATE 8 (Hi-Freq Plate)
PLATE 9 (Mid-Freq Plate)
PLATE 10 (Large E/R Plate)
PLATE 11 (Flat Plate)
·VOCAL（人声）
VOCAL 1 (Standard Vocal)
VOCAL 2 (Karaoke)
VOCAL 3 (Vocal Booth)
VOCAL 4 (Warm Vocal)
VOCAL 5 (Diffusion Vocal)
VOCAL 6 (Natural Vocal)
VOCAL 7 (Vivid Vocal)
VOCAL 8 (Wet Vocal)
VOCAL 9 (Doubling Vocal)
VOCAL 10 (Dry Vocal)
VOCAL 11 (Stadium Vocal)
·DLY+REV（延迟+混响）
DLY+REV 1 (Mono Delay+Hall Reverb)
DLY+REV 2 (L-R Delay+Hall Reverb)
DLY+REV 3 (Diffusion Delay+Hall Reverb)
DLY+REV 4 (Mono Delay+Room Reverb)
DLY+REV 5 (L-R Delay+Room Reverb)
DLY+REV 6 (Diffusion Delay+Room Reverb)
DLY+REV 7 (Mono Delay+Plate Reverb)
DLY+REV 8 (L-R Delay+Plate Reverb)
DLY+REV 9 (Diffusion Delay+Plate Reverb)
DLY+REV 10 (Mono Single Delay+Plate Reverb)
DLY+REV 11 (L-R Single Delay+Plate Reverb)
·DELAY（延迟）
DELAY 1 (Mono Delay)
DELAY 2 (L-R Delay)
DELAY 3 (Diffusion Delay)
DELAY 4 (Mono Single Delay)
DELAY 5 (L-R Single Delay)
DELAY 6 (Diffusion Single Delay)
DELAY 7 (Mono Doubling)
DELAY 8 (Diffusion Doubling)
DELAY 9 (Lo-Freq Delay)
DELAY 10 (Hi-Freq Delay 1)
DELAY 11 (Hi-Freq Delay 2)
·MISC (综合)
MISC 1 (Random E/R)
MISC 2 (Soft Random E/R)
MISC 3 (Tight Random E/R)
MISC 4 (Long E/R)
MISC 5 (Short E/R)
MISC 6 (Large Hall E/R)
MISC 7 (Soft Large Hall E/R)
MISC 8 (Small Hall E/R)
MISC 9 (Soft Small Hall E/R)
MISC 10 (Reverse E/R)
MISC 11 (Gate Reverb)
·CHORUS（合唱）
CHORUS 1 (3D Chorus)
CHORUS 2 (Doubling Chorus)
CHORUS 3 (Mono Chorus)
CHORUS 4 (Thin Chorus)
CHORUS 5 (Thin Doubling Chorus)
CHORUS 6 (Deep Chorus)
CHORUS 7 (Deep Doubling Chorus)
CHORUS 8 (Warm Chorus)
CHORUS 9 (Mono Warm Chorus)
CHORUS 10 (SFX Chorus 1)
CHORUS 11 (SFX Chorus 2)
·PITCH（音高）
PITCH 1—3 (Stereo Pitch)
PITCH 4—6 (Dual L-R Pitch)
PITCH 7—9 (Dual Mono Pitch)
PITCH 10 (Pitch Delay)
PITCH 11 (Pitch Sweeper)
·FLANGE（镶边）
FLANGE 1 (Stereo Flange)
FLANGE 2 (Stereo Flange )
FLANGE 3 (Stereo Dual Flange)
FLANGE 4 (Stereo Dual Flange )
FLANGE 5 (Single Flange)
FLANGE 6 (Single Flange )
FLANGE 7 (Dual Flange)
FLANGE 8 (Dual Flange )
FLANGE 9 (Mono Dual Flange)
FLANGE 10 (Hi-Freq Flange)
FLANGE 11 (Lo-Freq Flange)
SINGLE 2模式效果：
·L.HALL（大厅）
L. HALL-1 (Special Large Hall 1)
L. HALL-2 (Special Large Hall 2)
L. HALL-3 (Large Stage Reverb)
L. HALL-4 (Large Stadium)
L. HALL-5 (Large Theater)
L. HALL-6 (Warm Large Hall)
L. HALL-7 (Chorus Large Hall)
L. HALL-8 (Sizzle Large Hall)
L. HALL-9 (Flanging Large Hall)
L. HALL-10 (Large Cave)
L. HALL-11 (Large Tunnel)
·S.HALL（小厅）
S. HALL-1 (Special Small Hall 1)
S. HALL-2 (Special Small Hall 2)
S. HALL-3 (Small Stage Reverb)
S. HALL-4 (Small Stadium)
S. HALL-5 (Small Theater)
S. HALL-6 (Warm Small Hall)
S. HALL-7 (Chorus Small Hall)
S. HALL-8 (Sizzle Small Hall)
S. HALL-9 (Flanging Small Hall)
S. HALL-10 (Small Cave)
S. HALL-11 (Small Tunnel)
·ROOM（房间）
ROOM-1 (Long E/R Room)
ROOM-2 (Short E/R Room)
ROOM-3 (Room E/R)
ROOM-4 (Announce Booth)
ROOM-5 (Pf Booth)
ROOM-6 (Warm Room)
ROOM-7 (Chorus Room)
ROOM-8 (Sizzle Room)
ROOM-9 (Flanging Room)
ROOM-10 (Lo-F Flanging Room)
ROOM-11 (Hi-F Flanging Room)
·PLATE（板式效果）
PLATE-1 (High-Density Plate)
PLATE-2 (High-Density Old Plate)
PLATE-3 (High-Density Vivid Plate)
PLATE-4 (Phase Shift Plate)
PLATE-5 (No E/R Plate)
PLATE-6 (Warm Plate)
PLATE-7 (Chorus Plate)
PLATE-8 (Sizzle Plate)
PLATE-9 (Flange Plate)
PLATE-10 (Lo-F Flange Plate)
PLATE-11 (Hi-F Flange Plate)
·MIC（麦克风模拟效果）
MIC SIM-1 (Trad Condenser 3k, Low Cut: Off)
MIC SIM-2 (Trad Condenser 3k, Low Cut: On)
MIC SIM-3 (Trad Condenser 414, Low Cut: Off)
MIC SIM-4 (Trad Condenser 414, Low Cut: 150Hz)
MIC SIM-5 (Trad Dynamic 112)
MIC SIM-6 (German Dynamic 421)
MIC SIM-7 (German Dynamic 421, Low Cut: 2)
MIC SIM-8 (German Dynamic 421, Low Cut: SPE)
MIC SIM-9 (Modern Condenser 2)
MIC SIM-10 (Vintage Condenser 47)
MIC SIM-11 (Vintage Condenser 87, Low Cut: Off)
·AMP SIM（放大器模拟效果）
AMP SIM-1 (British 800 Amplifier)
AMP SIM-2 (Tremo Recti Amplifier)
AMP SIM-3 (Metal Panel Recti Amplifier)
AMP SIM-4 (British Class A30 Amplifier)
AMP SIM-5 (Fat Bass Amplifier)
AMP SIM-6 (Kick)
AMP SIM-7 (Snare 1)
AMP SIM-8 (Snare 2)
AMP SIM-9 (Voice 1)
AMP SIM-10 (Voice 2)
AMP SIM-11 (Radio Voice)
·DISTORTION（失真）
DIST-1 (Distortion)
DIST-2 (Rhythm)
DIST-3 (Over Drive)
DIST-4 (Acoustic)
DIST-5 (Blues)
DIST-6 (Fuzz)
DIST-7 (Lead)
DIST-8 (Metal)
DIST-9 (Bass 1)
DIST-10 (Bass 2)
DIST-11 (Bass 3)
·GUITAR MULTI 1（吉他综合效果器1）
G. MULTI 1-1 (Natural Clean Guitar)
G. MULTI 1-2 (Vivid Chorus Guitar)
G. MULTI 1-3 (Warm Chorus Guitar)
G. MULTI 1-4 (Rhythm Guitar)
G. MULTI 1-5 (Warm Rhythm Guitar)
G. MULTI 1-6 (Flange Rhythm Guitar)
G. MULTI 1-7 (Acoustic Guitar)
G. MULTI 1-8 (Crunch Guitar)
G. MULTI 1-9 (Vivid Crunch)
G. MULTI 1-10 (Delay Crunch Solo)
G. MULTI 1-11 (Flange Crunch Solo)
·GUITAR MULTI 2（吉他综合效果器2）
G. MULTI 2-1 (Warm Distortion)
G. MULTI 2-2 (Heavy Distortion)
G. MULTI 2-3 (Thin Flange Distortion)
G. MULTI 2-4 (Deep Flange Distortion)
G. MULTI 2-5 (Thin Metal Flange)
G. MULTI 2-6 (Deep Metal Flange)
G. MULTI 2-7 (Blues Lead)
G. MULTI 2-8 (Distortion Lead)
G. MULTI 2-9 (Mono Delay Lead)
G. MULTI 2-10 (L-R Delay Lead)
G. MULTI 2-11 (Delay Chorus Lead)
·BASS MULTI（贝司综合效果器）
B. MULTI-1 (Normal Bass)
B. MULTI-2 (Slap Bass)
B. MULTI-3 (Fretless Bass)
B. MULTI-4 (Distortion Bass 1)
B. MULTI-5 (Distortion Bass 2)
B. MULTI-6 (Distortion Bass 3)
B. MULTI-7 (Ambience Bass Solo 1)
B. MULTI-8 (Ambience Bass Solo 2)
B. MULTI-9 (Flange Bass 1)
B. MULTI-10 (Flange Bass 2)
B. MULTI-11 (Chorus Bass)
·VOCAL MULTI（人声综合效果器）
V. MULTI-1 (Normal Vocal)
V. MULTI-2 (Doubling Vocal)
V. MULTI-3 (Diffusion Vocal)
V. MULTI-4 (Distortion Vocal)
V. MULTI-5 (Flange Distortion Vocal)
V. MULTI-6 (Radio Voice)
V. MULTI-7 (Small Radio Voice)
V. MULTI-8 (Flange Voice)
V. MULTI-9 (Line Select 1)
V. MULTI-10 (Line Select 2)
V. MULTI-11 (Mute)
